Dr. Brian Bridges
Brian Bridges is a composer/sonic artist and researcher from Dublin. Since 2008 he has been based in Derry, Northern Ireland, where he works at Ulster University’s School of Creative Arts and Technologies. He co–founded Ulster’s BA/BSc in Creative Technologies and has also developed new music technology options at undergraduate and postgraduate level.
Brian is a graduate of the MPhil in Music and Media Technologies at Trinity College Dublin, studying composition with Donnacha Dennehy, Roger Doyle and Jürgen Simpson. Following this, he studied microtonal music with Glenn Branca and Tony Conrad in the US. He completed his PhD, also on the subject of microtonality, at Maynooth University, supervised by Victor Lazzarini.
He is a founder–member of the Dublin–based Spatial Music Collective and his compositions have been programmed at festivals in Europe, the Americas and China. He has received support and commissions from arts organisations including the Arts Council of Ireland, Culture Ireland, the Contemporary Music Centre and Resonance FM. He is also an editorial board member for Interference: A Journal of Audio Culture.
Much of Brian’s work is inspired by connections between perceptual processes and creative practices. His creative work includes sound–based installations, audiovisual pieces and electroacoustic and acoustic composition, including microtonal and spatial music. Other interests include applying current theories of perception and cognition to the design of performance systems and interfaces.
Dr. Jenn Kirby
Dr. Jenn Kirby is a composer, performer, lecturer and music technologist. Jenn works as the Programme Director for BA Music Performance and Production at the University of Wales Trinity Saint David, where she teaches composition and music technology. Her output includes contemporary instrumental composition, electroacoustic music, sound art, noise music, laptop orchestraperformance and solo live electronics. Her work has been performed in Ireland, the United Kingdom, Austria, the Netherlands, Germany, Italy, Poland, Canada, the United States and Mexico.
Jenn is very active in the performance of electronic music as a performer and a sofware developer. She builds software and re-purposes controllers as musical interfaces to create and perform theatrical and often humourous live electronic music.
She is founder and director of the Swansea Laptop Orchestra, a performing member of the Dublin Laptop Orchestra and a committee member of the Association of Irish Composers. Jenn also serves on the board of the International Alliance of Women in Music.
Dr. Alan Dormer
Robin Parmar is a media artist whose international portfolio includes experimental texts (“Tragedy of the Sun and Stars”, Stolen Mirror, 2011), electroacoustic music (“The Drones”, Stolen Mirror, 2013), field recording (“…between…” with David Colohan, Gruenrekorder, 2014), non-narrative film (“Division by Zero” for Kim Cascone’s Drone Cinema Festival, 2016), dance (“Boundary Conditions” with Angie Smalis, Light Moves: International Festival of Screendance, 2014), and audio installations (“In that place, the air was very different”, Echo Echo Dance, Derry-Londonderry, 2016). Publications span diverse subjects: psychoacoustics, post-punk music, science-fiction, field recording, radiophonics, cybernetics, and radical philosophy. Recent awards include a residency at the Sirius Arts Centre (Cobh, 2016), resident artist at Invisible Places (The Azores, 2017), and an Arts Council Bursary (2017). Robin is currently a doctoral student at De Montfort University (Leicester) and a lecturer at the University of Limerick.
Dr. Stephen Roddy
Public Relations & Web Manager
Dr. Stephen Roddy is a researcher and composer working in the field of auditory display. He holds a PhD in Sonification, the science and art of representing data with sound, from Trinity College Dublin. He also holds a B.Sc in Music Media and Performance Technology and an M.A in Music Technology from the University of Limerick. His academic work employs empirical research methodologies to develop communicative and effective sonification mapping strategies which exploit listeners’ embodied cognitive faculties.
He is currently carrying out research into auditory display and sonification mapping strategies for large-scale IOT networks. His artistic work includes installation, data–driven music and sonification, guitar performance, dance, theatre and electroacoustic music composition. It explores the phenomenology of embodiment and how the relationship between body and mind influences sound making activities.
His recent artistic work has been performed at the Sonorities Contemporary Music Festival, the Helicotrema Recorded Audio Festival in Venice, the Contemporary Music Centre’s Salon Series at the National Concert Hall of Ireland and Dublin Dance Festival’s Embodied at the GPO.
Dr. Roddy is currently carrying out research into auditory display and sonification mapping strategies for large-scale IOT networks at The Connect Centre, Trinity college Dublin. He is also reviews editor for the Interference Journal.